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Tom Denman is a freelance art critic based in London.

His writing has appeared in Art JournalART PAPERSArtReviewArt Monthly, Burlington ContemporaryFlash Art and Studio International.

He holds a PhD in Italian Studies from the University of Reading, for which he wrote his thesis on Caravaggio and the noble-intellectual community in seventeenth-century Naples. Now he writes mainly on contemporary art.


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